![]() He worked with his father on the 45,000 acre cattle ranch. Piano lessons ended and cowboy life began. He was 12 when his father moved the family to a cattle ranch in the foothills of the Sierras. With a career that spanned over six decades, his experiments in odd time signatures, improvised counterpoint, polyrhythm and polytonality remain hallmarks of innovation.īorn into a musical family in Concord, California - his two older brothers were also professional musicians - he began piano lessons with his mother at age four. It’s the inside track of three on all other versions, and seems to benefit more than the other fare from the Grundman master.Dave Brubeck, designated a “Living Legend” by the Library of Congress, was one of the most active and popular musicians in both the jazz and classical worlds. For those who only listen to “Take Five” (you know who you are!), the track gets a whole side on the AP 45RPM set. The original (in either stereo or mono) seems to capture more air around the instruments, especially the drum kit. If that bothers you, mono originals avoid the effect but line up the instruments front to back and create less of a spread of the best 1950s Blue Note or Prestige monos. And like my original white-label stereo pressing, the left-right stereo separation feels a bit artificial. The piano’s left-hand part is also much better fleshed out on the AP reissue than elsewhere. At times with an original, you have to remind yourself the bassist is there. Of all the choices, this reissue most authoritatively nails the piano and bass sound. ![]() AP’s versions are pressed by Quality Records Pressings on 200-gram vinyl where Classic Records utilized 180-gram vinyl.ĪP’s 45RPM 2LP edition is 100% analog mastered by Bernie Grundman from the original tapes and sounds like it. Back in the 1990’s and 2000 Classic Records released the album in several configurations. In addition to the obvious (a six-eye original in stereo or mono), Analogue Productions (AP) sells 33RPM and 45RPM versions. There are several good choices for listening to Time Out. Almost 60 years on, the album’s unique time signatures may not seem as fresh or original as they once did, but their charm remains undeniable, especially the ear worm “Take Five.” He soon quit Fantasy and signed with Columbia Records and recorded Time Out. In 1951, Brubeck formed his quartet with Paul Desmond and became a fixture on the college campus tour circuit. His first recording contract was with the then-newly formed Fantasy Records, with which he enjoyed healthy sales of his early releases, mostly in an octet setting. The pianist studied classical music with Darius Milhaud. He was born in 1920, started performing in the army during World War II, and continued into his 90s. And although a version of “Take Five” got released as a single shortly thereafter, the album was delayed until May 1961.īrubeck claims an equally interesting back story. Time Out was captured in July and August 1959. In fact, the sessions for the Brubeck and Davis LPs overlapped. Akin to Miles Davis’ Kind of Blue, it was recorded in a legendary studio (Columbia’s 30 thStreet Studio) by an equally legendary recording engineer (Fred Plaut). Unlike truly rare early Prestige and Blue Note LPs, Take Five ranks as one of the biggest-selling jazz albums of all time-the first jazz title to sell a million copies. Let’s put this in perspective: As long as there have been audiophile record collectors, Dave Brubeck’s Time Out has been in demand as a collectible.
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